In the rock and roll move of 2014, 24 year old New Zealander James Grant was attacked by a shark, then fought the animal off before he stitched his own wounds and headed to the pub for a pint. The junior doctor was out spearfishing with some friends when he felt something pulling at his leg. James assumed it was one of his bonehead friends trying to be hilarious. He turned to see in the murky water below a sevengill shark clamped on to his leg, Grant recounted 'bugger, now I have to try and get this thing off my leg." Like many New Zealanders, he already was wielding a knife and stabbed at the shark putting 'a few nicks in it.' He quickly scurried to the rocks on the shore and removed his wet suit revealing bites up to 5 cm long. The resourceful kiwi stitched himself up with a first aid kit he kept in his car then headed off to Colac Bay Tavern for a frosty brew. Staff at the bar had to give him more bandages to stop his wounds from bleeding all over the beer soaked floorboards. After a couple cold ones, he headed to Invercargill Hospital for them to complete the stitching. "I am pretty grateful to have my leg still. When the stitches come out, I will be back in the water." That is metal.
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There's been an article posted all over the internet claiming a North Korean landed a man on the sun. The first thing that comes to mind is 'preposterous' or 'straitjacket,' but knowing how sheltered North Koreans are it not inconceivable they would believe in such malarkey. The North Korean government controls the internet, news, television and all major forms of communication so the public believes what they are fed. And if you're sitting in a market such as, say, Toronto and you've had enough of the local news your can get on the internet and get news from any point of view you want, whether it be American, British, Japanese…whatever. The North Korean government for years has stifled its citizens communication means with outside nations and is sometimes referred to as the 'hermit kingdom.' "We are very delighted to announce a successful mission to put a man on the sun. North Korea has beaten every other country in the world to the sun. Hung Il Gong is a hero and deserves a hero's welcome when he returns home later this evening," proclaimed a North Korean anchor. A ambitious 17 year old youth name Hung Il Gong made a four hour (really?) journey to the sun in his specially designed rocket ship. Upon landing on the sun, Gong collected sun spot samples before hopping back into his vessel for a four hour flight home on cruise control with a bottle of Dom. The 'greatest human achievement of our time' (coined by the North Korean Central News agency obvs) took the young man eighteen hours round trip. Upon his return to Earth (relatively speaking), Hung Il Gong met with supreme leader and certifiable lunatic Kim Jong-un. Oh… Kim Jon-un is this kids uncle. Nothing fishy here.
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The Portuguese Navy has discovered a large pyramid underwater between the islands of Sao Miguel and Terciera in the Azores islands some 900 miles off the shore of capital city Lisbon. According to claims, the pyramid's base is perfectly squared measure at around 8000 square meters, reaching heights of 60 meters. The pyramid was found in an area of the mid-Atlantic ocean that has been underwater from some 20,000 years so it is assumed that whatever people living in the region at the time built the thing. Exact co-ordinates aren't publicly known; but the Azores Islands lay around the fault lines of the North American, Eurasian and African tectonic plates so an interesting place for a pyramid considering the energetic qualities and resonant frequencies associated with them. The fellow who discovered the pyramid, Diocleciano Silva believes there may be another pair of pyramids that there could be a design link to that of the Egyptian pyramids. Any discovery of this nature leads everyone to question 'have we found Atlantis?' Who knows? Geographically, it's close; Atlantis was allegedly in the middle of the Atlantic Ocean, described in Plato's 'Timaeus' some 2350 years ago as a vast, advanced civilization but then sank entirely in one day and night after a botched attack on Athens. Over the centuries the story of Atlantis has evolved, and is now considered folklore since there is no concrete evidence proving it ever existed. It has always been a story that fascinated me since I was knee high to a grasshopper, but unfortunately science doesn't lend itself to any Atlantis lost continent theories. The continental drift theory has been around since proposed by Abraham Ortelius in 1596 (was probably burned at the stake as a heretic), but was refined with the advanced concept of plate tectonics (tracking the movement of the continents relative to each other creating the allusion they are 'drifting' across the ocean bed) in the 1960's making the disappearance of a large continent a geological impossibility. Another one bites the dust.
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Fordsy booked in Vancouver for jaywalking. Possible drunken stupor. If you're still following the moron-a-thon, check it HERE.
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It's (almost) the fifty year anniversary of the Beatles performing on the Ed Sullivan show to some 73 million people in the U.S. The band has become a sensation a few months prior with a DJ spinning a record his friend had brought back from the U.K. That was it… music as we knew it had changed forever. The four blokes from the bleak streets of Liverpool took the world, and most importantly (at least in terms of record sales) the United States by storm. With one full length album "Introducing the Beatles," countless singles then their follow up "Meet the Beatles," released two weeks prior to their appearance on the Ed Sullivan show, the band was formally introduced to Americans. Beatlemania had arrived. As the legend goes, Ed Sullivan was a frequent visitor to England and had witnessed the crowds who were welcoming home the Beatles from a tour of Sweden. Sullivan told the New York Times "I made up my mind that this was the same sort of mass hit hysteria that had characterized the Elvis Presley days." The appearance on Sullivan was their American debut, aired on Sunday, February 9, 1964 and is one of the landmark 'where were you when…' events of the 1960's, as memorable as the moon landing and the JFK assassination. The Late Show With David Letterman, the current tenants of the Ed Sullivan theatre, have decided to pay tribute to the event with a slate of musical guests performing Beatles songs on the Late Show the week of February 3-7. Some artists/song choices have been announced and include Sting doing "Drive My Car," Danger Mouse with the Shins' James Mercer cover "And I Love Her" and John Lennon's son Julian joining the Flaming Lips for a rendition of "Lucy In the Sky With Diamonds." Lenny Kravitz will be playing on the Wednesday February 5th show but what song he is playing isn't known. Here's Letterman's 30 Year Tribute from 1994.
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What the hell is going on with Black Flag? They have always been a polarizing band, regardless of lineup, but lately I'm convinced that Greg Ginn is insane. Ginn started the band, originally called Panic and went through a singer or two before solidifying their lineup with Henry Rollins as their frontman. Legal battles in the early 80s after signing a major label deal prevented the band from releasing material under their own name. Once the case was settled, Black Flag released a string of classic records in rapid succession; "My War," "Family Man," "Slip It In," "Loose Nut," "In My Head," were all put out between early 1984 to late 1985 before the band dissolved. Various incarnations have popped up here and there for one off shows, but it got a little realer in 2012. Ginn got together a new incarnation of the band while a 'tribute' band of mostly former members popped up using the moniker 'Flag.' After Ginn unsuccessfully tried to sue the 'rival' band, he soldiered on with singer Ron Reyes and released a sub par album called "What the…" In the latest chapter in the increasingly tarnished Black Flag legacy finds Ginn and Black Flag manager/pro skater Mike Vallely firing vocalist Reyes on stage mid show. Vallely has been named new vocalist of the band, a move alluded to by Reyes who noted shortly after his departure "I would not be surprised if Mike V becomes the new singer for Black Flag. It is my opinion that they have been planning this for some time." Vallely told Rolling Stone that Reyes was told 'very plainly, very simply, that it was over. And he (Ron) looked at me and he almost seemed relieved." Ginn, true to Reyes' prediction, asked Vallely to join the band immediately. "Greg just felt like 'I don't want the Black Flag name to fizzle out with this or be tainted with this record that's proven to be subpar compared to what the expectations for it were.' He told me he made a mistake by working with Ron and trying to pander to a sort of old-school thing. He just thought that I was the guy for the job. I'm not gonna say no to that," said Vallely. The band has begun recording new material and are expected to hit the road in May for an extended tour.
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The black sheep of the awards show season, the Grammys wasn't without it moments. Not that I gave a rip about any actual category, its tough to not want to see Paul and Ringo play together again, despite being the two least interesting Beatles. Pink put on an impressive silk display, backed by a crap song and Daft Punk looked like extras from 'Attack Of the Clones' while sweeping the major awards. In what should have been an impressive finale, Trent Reznor of Nine Inch Nails was joined by the Queens Of the Stone Age, Dave Grohl and Lindsay Buckingham… what was actually aired was pretty rad, ripping through NIN track "Copy Of A" then QOTSA rocker "My God Is the Sun" before fading to the credits mid track. Reznor, obviously annoyed, tweeted shortly after the ceremony ended "Music's biggest night… to be disrespected. A heartfelt f*** you, guys." The Grammys have since apologized and expressed a certain amount of calculated sympathy for him. "I'm sorry he was upset. I was really thrilled that we were finally getting him on the Grammys," said Ken Ehrlich, producer of the show, also noting "I want to end on a high, an up note. I did tell them we'd take it as long as we could. The number was about five, six minutes long, and we got to within a minute twenty of the end. We got as close as we could possibly get." You could have cut that hair flail put to music that was Taylor Swift to let some decent bands play. Just a thought..
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The Toronto Maple Leafs are all of a sudden playing like a team possessed reeling off a 9-1-1 record in their past eleven games vaulting them to the lofty fourth seed in the Eastern Conference. The Leafs are six points up on the eighth spot and have a hold on the third playoff position in the Atlantic division, and sit a mere three point behind second place Tampa Bay. Phil Kessel, who hit the thirty goal mark for the sixth time in his career last night with a hat trick in a 6-3 win over Ottawa, is sixth in league scoring, and second in goals scored behind only Alex Ovechkin. Equally impressive of late has been Kessel's linemates, Tyler Bozak, who has been on fire since returning from injury and James van Riemsdyk, who along with Kessel is an American Olympian. Not only is the trio arguably the hottest line in the NHL - there is stiff competition from a certain Sharp-Toews-Hossa line boasted by the defending champion Chicago Blackhawks - but their second line of Joffrey Lupul, Nazam Kadri and Nikolai Kulemin (filling in for the injured David Clarkson) has also came to life. Kadri tucked in two goals, one of the highlight reel variety last Tuesday against Tampa before adding three assists against the Panthers on Thursday. Lupul, who hadn't scored in what seems like months has scored goals in consecutive games and has four points in the last three contests. Big shoutout to the newly acquired Tim Gleason who seems to be blocking shots at the rate of about one per shift.. He's been a horse out there defensively and a huge addition to our blueline. How is he not injured yet by the way? Man, he's taken some shots.. about four painful looking ones in the Tampa game alone. The Leafs head to Florida for rematches of last weeks games in Toronto, first to Miami to play the Panthers then off to Tampa to take on the Lightning before coming home to a contest against the Vancouver Canucks to conclude their pre-Olympic schedule.
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Speaking of the Olympics (Opening Ceremonies this Friday, Canada's first game against Norway is on February 13 at noon), Sidney Crosby made a classy gesture to Blackhawks captain Jonathan Toews by asking if it was alright to accept the captaincy of the team. I've thought Toews resume, omit actual points, has been just as impressive as Sid's, captaining the Hawks to two Stanley Cup championships. Toews, always subdued and humble, was flattered saying "for Sidney to ask guys for approval, I don't think he needed to do that, but it shows the kind of guy he is. I'm just honoured to be in the conversation for captaincy. One way or the other, I'm excited to accept a role like that." I still wish he was captain and if it was any other team he would be. Team Canada coach Mike Babcock rained praised on the Hawks captain stating he would be a deserving captain. "He's earned the right to be a captain with Canada: two cups, Olympic gold. I don't know what else he's won. It seems more than that. He's a pro who does it right every day. He's a 200 footer. To me, he's an impressive, impressive man." Toews will wear a letter at the tournament as he was named alternate captain, along with Nashville Predators captain Shea Weber. Team Canada boasts six NHL captains signifying an abundance of leadership in their dressing room. Go Canada!
Last night the 19th annual Screen Actors Guild awards were handed out in Los Angeles. Daniel Day-Lewis and Tommy Lee Jones won the Best Actor and Supporting Actor respectively for their roles in "Lincoln." Jennifer Lawrence won Best Actress for her work in "Silver Linings Playbook," and the super boring (no offence) Anne Hathaway taking home Best Supporting Actress for her turn in "Les Miserables." Ben Affleck's "Argo" took home the award for Best Cast, and the latest James Bond film "Skyfall" won Best Stunt Ensemble. On the television side of things awards were given out to screen vets Kevin Costner and Julianne Moore after switching over to the cable miniseries game, Costner in "Hatfields & McCoys" and Moore in "Game Change." Bryan Cranston (Breaking Bad) and Claire Danes (Homeland) took home the acting awards in a drama series while 30 Rock stars and the King and Queen of New York Alec Baldwin and Tina Fey swept the comedy series awards. Awards season closes out on February 24th, hosted by Family Guy creator Seth McFarlane. "Lincoln" has 12 Oscar nominations, while "Les Miserable" and "Silver Linings Playbook" got 8 nods each. "Argo" received 7.
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What the hell happened to Sarah Palin? Not that she ever had all that much going for her once McCain lost out to Obama in 2008. Anyways, that kind of cute, intelligent looking woman without actually being too smart is not going to have her contract renewed by Fox news where she served as a correspondent. In 08, it seemed Sarah could do no wrong; she was lovingly mocked by Tiny Fey on SNL, she had her own reality show, and a best selling book out. Fox News Chairman Roger Ailes decided to scoop her up quick and even built a modern studio for her in her Wasilla, Alaska home. What is she going to do next? I don't think anyone cares.
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While director JJ Abrams has been attached to direct the new Star Wars film, it appears the 2015 release date that was circulating online could be premature. Abrams has a full plate (and then some) in front of him with his second film in the "Star Trek" reboot series hits theatres May 17, followed by the inevitable press commitments leading up to and once the film is released then is slated to produce "Mission: Impossible 5" and a third film Star Trek film. "You know, obviously, it's so early," Abrams said. "I can just say what I want to do: I want to do the fans proud. I want to make sure the story is something that touches people. And we're just getting started. I'm very excited." So start speculation on Episode VII's title (from google: The New Republic, Legacy Of the Shadows, Legacy Of the Sith, and Knights Of the New Republic) and get ready for Star Wars: Disney style.
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Well, this is just brill. A 20 year old prostitute from Portland, Oregon drove 50 miles to meet up with a john who had solicited her via text messages. The address she was given turned out to be the Salem Police Department. She walked up to the building, clearly marked 'Police Department,' entered the station, walked past several uniformed officers before coming to an unmarked door within the station where she tried to get ahold of her client. Once the officers stopped staring at her inappropriate attire they arrested the woman for prostitution and promoting prostitution. As it turns out, the messages were part of a sting operation by the Salem police department who first identified the woman online. Darshhh!
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Reunited and it feels so good… Actually it's a double Black Flag reunion. Punk rock pioneers Black Flag will have two versions of the outfit performing this year. Greg Ginn, the bands founder, guitarist and principle songwriter has put back together their 1978 with Ron Reyes on vocals to play this summers Hevy Fest in the UK. Another incarnation, this one know simply as "Flag" will include Circle Jerks/OFF! vocalist Keith Morris, Chuck Dukowski (who will play in both reunited units) on bass, Descedents/All drummer Bill Stevenson, as well as Stephen Egerton of the Descendents/All playing guitar. Egerton is the only member of the two acts that wasn't an actual member of Black Flag, but if you've ever seen Stephen play, you know he can hold his own with the best of 'em. Looking forward to seeing at least one Flag in 2013.
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Every Time I Die and Jose Canseco? Amazing.. I don't use twitter but gosh darnit, it makes friends of people who probably wouldn't be friends other wise, which is obviously hilarious. Don't know if this is serious, or a lampoon, but it is pretty funny either way. CHECK IT HERE.
"Well, birthdays are merely symbolic of how another year has gone by and how little we've grown. No matter how desperate we are that someday a better self will emerge, with each flicker of the candles on the cake, we know it's not to be; that for the rest of our sad, wretched pathetic lives, this is who we are til the bitter end. Inevitably irrevocably; happy birthday? No such thing." - Jerry Seinfeld
So, another birthday. 33. Thought it would be fun (for me) to commemorate such a day by going through some of my favourite records, year by year. Well, it'll be broken up into three parts. Most of the albums aren't necessarily what I was listening at the time, particularly before 1990 because if I was three and listening to Social Distortion well.. actually that'd be awesome. Anyways, here are some records that I really like, other people may like, and other people may hate. Or something.. whatever.
1979: THE CLASH - LONDON CALLING. Released nine days after my birthday in the UK (January 1980 stateside) The Clash's third album "London Calling" saw the band incorporate funk, soul, rockabilly and reggae to their sound, making it a much more eclectic record than their self titled debut and sophomore release "Give 'Em Enough Rope." From the classic title track, to the reggae influenced "Rudie Can't Fail" to my favourite Clash song, "Death Or Glory," this record has a little something for everyone who likes honest rock music. The band followed up "London Calling" with the sprawling three-LP set "Sandinista!" then released their best selling album, "Combat Rock," in 1982. The band released a sixth and final album, "Cut the Crap" after the firings songwriter Mick Jones and drummer Topper Headon in 1985. Strummer got into some acting gigs, scored a couple films and released three albums as Joe Strummer & the Mescaleros before passing away in 2002.
Honourable Mention: B52'S - B52'S. If the Misfits sounds like a soundtrack to 50's horror movies then the B52's debut sounds like the soundtrack to campy 50's sci-fi films.
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1980: IRON MAIDEN - IRON MAIDEN. Is it punk rock? Is it metal? That the beauty of Maiden's debut. Sometimes it is hard to tell. "Iron Maiden" is the first of two albums with frontman Paul Di'Anno, who also appeared on the group's second released "Killers" before being kicked out for cocaine and alcohol addiction which caused him to miss gigs and promo appearances. Bruce Dickenson was brought on board in time for the band's third, and most reviled album "The Number Of the Beast." It is a great record, but lacks something the debut had. The bands first single, "Running Free" ranks up there with my favourite Maiden songs, and an all time classic party song. The songs are short (for the most part, and by Maiden standards) with only the masterful "Phantom Of the Opera" cracking the six minute mark, most songs hovering around four minutes. The albums closer is the track "Iron Maiden" which frequently closes out their shows to this day. Bruce Dickenson is good, there's no doubt, but no one can sing this song like Paul.
Honourable Mention: Joy Division - Closer. Their second and last album is pretty damn dark and brooding. Ya, brooding. I said it.
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1981: BLACK FLAG - DAMAGED. When I was 15-18 there wasn't too many records that I listened to more than "Damaged." Definitely Henry Rollins best moments with the band can be found on here, many of the songs re-recorded versions of tracks that had found their way onto singles and EP's with previous Flag vocalists (Dez Cadena, Ron Reyes and Keith Morris), but Henry took the songs by the throat and made them sound more menacing and dangerous that anything put on tape at that time. The opening track, "Rise Above" is pretty much a perfect song, in my humble opinion. Youtube the ridiculous video for the single "TV Party," as jokey as the band gets on the album. "Six Pack," already a Flag classic at this point, is a highlight as well as "Thirsty and Miserable," "Depression," and "Gimme Gimme Gimme." The track "Damaged I" while not my favourite on the record, is interesting because it is a telltale sign of the territory their music would tread with their slew of released in 1984 (the band was in legal battles for a couple years and were forbidden from using their name) so they released five albums in quick succession from March 1984-October 1985. Their work before and after "Damaged" is brilliant, but nothing they ever did was as great as "Damaged."
Honourable Mention: King Crimson - Discipline. Robert Fripp reformed his classic band with Adrian Belew taking over as frontman and they tread some new ground: 1980's production and prog rock. Sounds dated, but there's some great songs.
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1982: THE CURE - PORNOGRAPHY. "Friday, I'm In Love" it isn't. I suppose the lyrics of that song weren't the most uplifting, but the music was sure poppy as hell. That doesn't really exist on this record. Robert Smith croons "it doesn't matter if we all die" to kick off the opening track, "One Hundred Years," just so the listener knows they will not be hearing anything overly sentimental, then completes the 1-2 punch with the excellent second track "A Short Term Effect," leading into my favourite song on the album "The Hanging Garden." Great pulsating bass line that gets stuck in my head for hours whenever I hear the song. The closing title track is the perfect ending to an album that was described as inventing "goth." While I offer no thanks for that, the album is great, front to back.
Honourable Mention: Misfits - Walk Among Us. Umm… "20 Eyes," "I Turned Into a Martian," "Vampira," "Hatebreeders," "Mommy Can I Got Out & Kill Tonight"…. need I say more?
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1983: SOCIAL DISTORTION - MOMMY'S LITTLE MONSTER. Social D's debut album was recorded in one session on Christmas Eve 1982, and doesn't have the greatest production. That doesn't really matter when the songs are this damn good. The album was recorded before Mike Ness was crippled by a heroin addiction. The album had been an underground hit, and since the album was self released then cheques came to Ness who used the cash to fund his drug habit instead of more pressings of the record which became out of print not long after its release until it was re-released by Triple X Records in 1989. "The Creeps" leads off the record and is a concert staple to this day, as are classic tracks "Another State Of Mind" and "Mommy's Little Monster," the album title track which received heavy airplay on L.A.'s KROQ radio.
Honourable Mention: Pink Floyd - The Final Cut. Floyd last record with the classic line-up, considered by some as a Waters solo record, is very quiet, but listened to as a whole with lyrics in tow is outstanding.
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1984: THE REPLACEMENTS - LET IT BE. While the Beatles "Let It Be" is inconsistent with barely enough quality material to even be considered an album, The Replacements hit all the right notes with their third record. Growing disillusioned with the punkers, frontman Paul Westerberg sought out to make a record that was more honest and sincere. Don't kid yourself… there's some barn burners on here! Just listen to "We're Comin' Out" for evidence of that, but I don't think that's the point. "I Will Dare" kicks off the record with a great little shuffle and features a solo by R.E.M.'s Peter Buck. The band's cover of Kiss' "Black Diamond" is actually better than the original, and among the best tracks on the the record. "Androgynous" is a song that is just Westerberg and a piano but is also a high point. And "Unsatisfied," excellent song, and the track on the record that made me just kind of get what Westerbeg was going for.
Honourable Mention: Husker Du - Zen Arcade. I guess the Replacements won the Minneapolis-St Paul indie album of the year. Husker Du gets the silver with this sprawling double album set chronicling a young man who runs away from home and whatever.. the concept gets lost but the tunes are great!
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1985: HUSKER DU - NEW DAY RISING. After putting out their best record the previous year, they follow it up with one almost as good, and fortunately, the Replacement didn't release a record this year. "New Day Rising" is more of a straight up punk album following the experimental "Zen Arcade." The intro to the album is the title track, which doesn't have too many lyrics other than "New Day Rising" has some killer guitar work and leads into my favourite Grant Hart penned Husker Du track, "The Girl Who Lives On Heaven Hill." "I Apologize and "Folk Lore" are two excellent Bob Mould songs but "59 Times the Pain" and "Celebrated Summer," the most "Zen Arcade" track on the album. The band released another album towards the end of 1985, "Flip Your Wig" which proved to be their last album for longtime label after signing a major label deal. They felt they owed the label another album so quickly put it out. It wasn't their strongest material but a fitting bookend to their career on SST records before the tensions escalated (always a rocky relationship) between Mould and Hart causing the band to dissolve after two major label releases "Candy Apple Grey" and "Warehouse: Songs & Stories."
1986: SONIC YOUTH - EVOL. They turned down the noise, and turned up the atmosphere on their first SST Record "EVOL." It shied away from their noise rock beginnings. The sole single from the album, "Star Power" is a great piece of atmospheric rock with Kim's vocals almost delivered in monotone, and is a song that Courtney Love has made her whole career out of ripping off. "Tom Violence" is one of my favourite Youth songs and Thurston's vocals on this track are amazing. Perfect way to lead off the record. Mike Watt, of the Minutemen, contributed bass on two songs "In the Kingdom #19" and "Expressway To Yr Skull," noting that working on this record made him want to continue him music career after Minutemen bandmate D Boon's death made Watt want to give up music. "EVOL" is not as recognized as say "Goo" or the classic "Daydream Nation" but is still my favourite Sonic Youth record.
1987: DESCENDENTS - ALL. The final record before frontman Milo Aukerman left his band to continue his academic pursuits, and the remaining members, drummer Bill Stevenson, bassist Karl Alvarez and guitarist Stephan Egerton hooked up with vocalists Dave Smalley, Scott Reynolds then finally Chad Price and performed as ALL for the next several years. The band took it's name from the Descendents presumably final release, and title track (1 second long) ALL. The band started as a surf rock trio in the late 70s, but soon joined up with Milo and releasing an EP then two classic records: "Milo Goes To College," and "I Don't Want To Grow Up" The first two are classics, with "College" and "Grow Up" among the best punk albums to ever come out of California. The band took a slight misstep with their next album "Enjoy." The album was almost entirely based around the idea of farting (seriously) even going as far as to use euphemisms for faeces instead of the song names on the back of the album jacket. Tough to take too seriously. The following year I don't think anyone would have thought that they would put out an album so introspective, so progressive and (thinking of another -ive word here.. can't). Every track is great, with the first proper song being "Coolige" which is as good as a pop punk song as they have ever written. "Van" is a little strange but fortunately the incredible guitar work keeps you coming back for more. "Ice Man," "Jealous Of the World," "Uranus," and "Schizophrenia" all show off their prog rock leanings, and show of their mellower side on "Impressions" and "Cameage." You would never know that it was Egerton and Alvarez's first outing with the group since this was their strongest and most impressive material they ever released.
Honourable Mention: Def Leppard - Hysteria. First album I ever got, listened to it a million times. Guilty pleasure or totally awesome? Both! Listen to "Gods Of War." Love that song.
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1988: BAD RELIGION - SUFFER. Fat Mike dubbed it the album that 'changed everything.' Hi-fi punk rock. Sounded like an oxymoron at the time. Bad Religion had released an incredible debut full length called "How Could Hell Be Any Worse" but followed it up with an embarrassing keyboard heavy 1970s classic rock album, "Into the Unknown", dumbfounding their fans. Guitarist and Epitaph Records owner Brett Gurewitz joked that they "sent 10,000 copies of the records, and getting 11,000 back." Reception wasn't good, and little has done to change mass opinion about the album. It actually isn't that bad, but I could see why the folks at the time might be a little upset. Fast forward a few years. In 1985, they released "Back To the Known" which was a punk band with a rock influence to them. Songs were still aggressive but they did have slower tempos, and to be honest doesn't sound that much different from the late 90s Atlantic albums. Anyways, the band reconvened in 1987 and started recording "Suffer" in April 1988 at Brett Gurewitz's Westbeach Studios. The band rips through fifteen songs in under half and hour, with just one track, "Part II (The Numbers Game)" eclipsing the two and a half minute mark. The band plays "(You Are) the Government)," "Give You Nothing," "Best For You," "Suffer," "Do What You Want" at most shows to this day. I've seen Bad Religion play numerous times but I have never seen "1000 More Fools" or "Delirium Of Disorder" live which are standout track in my mind that don't get enough love. Is this their best record? Probably. Most influential? Definitely.
Honourable Mention: Dag Nasty - Field Day. What used to be my least favourite Dag Nasty is now my favourite. Funny what age can do!
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1989: OPERATION IVY - ENERGY. Never has an album mixed reggae, punk, hardcore and ska so perfectly. Including The Clash. While what they were doing was markedly different kind of ska-punk fusion than The Clash, the message wasn't too dissimilar. Operation Ivy existed for only two years but their only record is a landmark in the genre. Tim Armstrong and Matt Freeman were playing guitar and bass respectively for a ska punk band called Basic Radio and hooked up with vocalist/artist Jesse Michaels and Dave Mello to perform the first Operation Ivy show in Mello's garage on May 27, 1987 before playing at Berkeley, California's legendary 924 Gilman Street club the following day. The album, now reissued a couple times over, include their debut EP "Hectic" contains classics like "Knowledge," "Sound System," "Take Warning," "Unity," "Bad Town," "Caution," "Freeze Up"… nearly every track is a classic burst of energy and life. Jesse Michaels went on to sing for Common Rider while Matt Freeman and Tim Armstrong formed Rancid following the disbandment. Rancid are OK and all… I like "And Out Come the Wolves" and "Let's Go" very much, but nothing they did ever came close to this record.
Liner notes in 1991 for reissue of "Energy" by Jesse Michaels:
"Music is an indirect force for change, because it provides and anchor against human tragedy. In this sense, it works towards a reconciled world. It can also be the direct experience of change. At certain point during some shows, the reconciled world is already here, at least in that second, at that place. Operation Ivy was very lucky to have experienced this. Those second reveal that the momentum that drives a subculture is more important than any particular band. The momentum is made of all the people who stay interested, and keep their sense of urgency and hope."
Honourable Mention: Nine Inch Nails - Pretty Hate Machine. Only classic album they ever did. Not saying Trent isn't talented, but this just seems so much less douchy.